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Yves Klein

Schirn Kunsthalle Frankfurt, Frankfurt, Germany
15 September 2004 - 8 January 2005
  • Yves Klein
    Vue de l'exposition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004 
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004
  • Yves Klein
    View of the exhibition, "Yves Klein", Schirn Kunsthalle Frankfurt, 2004 
The compre­hen­sive retro­spec­tive presented by the Schirn includes more than 100 works from all periods of his work: his first mono­chromes in orange, yellow, green, pink, black, and white, his famous blue mono­chromes, as well as his sponge reliefs and sculp­tures, his much-discussed “Anthro­pome­tries,” for which he used female models as “live brushes,” his “mono­gold” paint­ings, and his last exper­i­ments with fire and elements of nature. Yves Klein’s entire oeuvre was aimed at enhancing the viewer’s sensi­tivity. The presen­ta­tion in the Schirn offers a unique oppor­tu­nity to explore this expe­ri­ence in all facets of his work.
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