“Nude: From Modigliani to Currin” presents depictions of the human body from the eve of modernism to the present day. From Paul Cézanne’s Baigneurs (c. 1890–95) and Baigneurs Debout (1876), and Edvard Munch’s harrowing Madonna (1895–97) to Charles Ray’s Young Man (2012), this exhibition considers the nude as an infinitely suggestive material and form.