Par Yves Klein

The "Immaterial Pictural Sensibility"

Yves Klein, Untitled Blue Monochrome (IKB 181), 1956
Dry pigment and synthetic resin on gauze mounted on panel
73 x 56 cm
Museo Nacional Centro de Arte Reina Sofia
"What is sensibility?
It is what exists beyond our being, yet is forever a part of us. Even Life itself does not belong to us; it is with our sensibility that we are able to purchase Life. Sensibility is the currency of the universe, of space, of Nature. It allows us to the purchase LIFE in the first state of matter! Imagination is the vehicle of sensibility! Transported upon imagination, we attain LIFE – life itself, which is absolute art."
Yves Klein, excerpt from « Speech Delivered on the Occasion of the Tinguely Exhibition in Düsseldorf (January 1959) »

"Here is how it came about: In 1946 I was painting or drawing either under the influence of my father, a figurative painter of horses in landscapes or of beach landscapes, or under the influence of my mother, an abstract painter of compositions of form and color. At the same time, COLOR, the sensibly pure space, beckoned to me irregularly but with stubborn persistence. This sense of the complete freedom of sensibly pure space exerted upon me such a power of attraction that I painted monochrome surfaces to see, with my own eyes to SEE, what was visible in the absolute. (...)
Then I immersed myself in the monochrome space, in everything, in the boundless pictorial sensibility. (...)
Yves Klein, excerpt from « Overcoming the problematics of Art », 1959

"The painting is merely the witness, the sensitive surface that has recorded what occurred. Color, in its chemical state that all artists employ, is the medium most capable of being impressed by this event. I think, then, that I can say: my paintings represent poetic events or rather immobile witnesses, silent and static witnesses of the very essence of movement and of free life, which is the flame of poetry during the pictorial moment!
My paintings are the ashes of my art."
Yves Klein, excerpt from « The Monochrome Adventure: the monochrome epic », 1960 ca.
"Each of these blue propositions, all similar in appearance, were perceived by the public as clearly distinct from each other. The nonprofessionals passed from one to the next, as was fitting, penetrating in an instant state of contemplation the worlds of blue.
But each painting’s blue world, although of the same blue and treated in the same way, revealed itself to be of entirely different essence and atmosphere; none resembled the other any- more than pictorial moments and poetic moments resemble each other. Though all are alike in nature, superior and subtle (detection of the immaterial).
The most sensational observation was that of the buyers. Each selected from among the eleven displayed paintings the one that pleased them the most and paid its price. The prices, of course, were all different. This fact demonstrated that, on the one hand, the pictorial quality of each painting was perceptible by something other than the material and physical appearance and, on the other, that those who made their choice recognized that state of things to which I refer as "Pictorial Sensibility".
Yves Klein, excerpt from « The Monochrome Adventure: the monochrome epic », 1960 ca.

"Painting, like poetry, is "the art of creating souls to keep souls together"
Yves Klein, The role of the painter in future society...", 1960 ca.

"My art is not behind the "ashes" that are my works, but in and around, like an aura of those ashes."
Yves Klein, letter to John Anthony Twaites, December 28, 1960, about the translation in the Zero magazine of "Yves le monochrome 1960. The real becomes reality", Écrits, op. cit., notes, p. 414. This issue of Zero, the last, released in July 1961.

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