• The Estate of Yves Klein c/o ADAGP, Paris The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

  • The Estate of Yves Klein c/o ADAGP, Paris The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

  • The Estate of Yves Klein c/o ADAGP, Paris The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

  • The Estate of Yves Klein c/o ADAGP, Paris The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

  • The Estate of Yves Klein c/o ADAGP, Paris The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

  • The Estate of Yves Klein c/o ADAGP, Paris The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

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    © The Estate of Yves Klein c/o ADAGP, Paris

    © The Estate of Yves Klein c/o ADAGP, Paris

Document, 1958, 28 avril

Yves Klein, Account of the opening of the exhibition "Epoque pneumatique, la sensibilité picturale immatérielle à l'état matière première" at Galerie Iris Clert

Technical Tapuscrit sur papier pelure avec des annotations manuscrites

En relation

Artworks

Films

Exhibitions

La spécialisation de la sensibilité à l’état matière première en sensibilité picturale stabilisée, "Le Vide" [The Specialization of Sensibility in the Raw Material State into Stabilized Pictorial Sensibility, "The Void"]

Exhibition, 28 avril 1958 - 12 mai 1958

La spécialisation de la sensibilité à l’état matière première en sensibilité picturale stabilisée, "Le Vide" [The Specialization of Sensibility in the Raw Material State into Stabilized Pictorial Sensibility, "The Void"]

Galerie Iris Clert, Paris, France
"In order to attain this indefinable of Delacroix that is the essence of painting, I became a specialist of space, which is my ultimate way of treating color. It is no longer a question of seeing color, but rather of perceiving it.Lately, working with color has led me, in spite of myself, to pursuit, little by little, the creation of matter with a support structure (that of the observer, of the...

Books

Le dépassement de la problématique de l'art et autres écrits

Book, 2003, Yves Klein

Le dépassement de la problématique de l'art et autres écrits

This volume, which brings together for the first time the texts published during his lifetime or after his death, will make it possible to measure that writing, far from being a marginal territory, has occupied a large part of his time and that he He delivers under very different days in the tradition of the avant-gardes, through manifestos and speeches, or notes, monologues and patents. He is at once enthusiastic, audacious and funny but above all constant in his demonstration.