"Painting without images, these canvases, in fact, only look back at the experience he is doing in the moment, and prevent him from straying out of the unique color field that they propose to him. refuse any oblique approach, through customary reconciliations and comparisons, and require to be viewed in the face, so the visitor can see the color as the painter sees it, with the naked eye. to see an object originally insignificant invested with the time of multiple meanings, see opposite, the visitor could at leisure question the ways of the genesis of meaning in and by the work of the artist. "