An exhibition organized at the Musée national Fernand Léger, Biot by the Musée national du XXe siècle des Alpes- Maritimes and GrandPalaisRmn, in partnership with the Musée d'Art Moderne et d'Art Contemporain (MAMAC), Nice.
From June to autumn 2024, the Fernand Léger national museum in Biot and the Musée d'Art Moderne et d'Art Contemporain (MAMAC) in Nice will be celebrating artistic creativity with an exhibition bringing together the joyful, colorful work of painter Fernand Léger (1881-1955) and must-see works from the MAMAC.
Thanks to an unprecedented partnership between two major collections on the Côte d'Azur, works by Niki de Saint-Phalle, Arman, Yves Klein, Raymond Hains, Martial Raysse and César come face to face, in a spirit of total freedom and dialogue between the arts, with the plastic innovations of Fernand Léger, one of the pioneers of the 20th century avant-garde. Alongside the main representatives of Nouveau Réalisme, a group founded in Paris in 1960 around the art critic Pierre Restany, works by the generation of artists who emerged across the Atlantic in the 1960s, such as Roy Lichtenstein and later Keith Haring, illustrate the artistic exchanges that took place early on between the European and American scenes.
Beyond certain thematic or formal affinities, there is a historical link between the work of Fernand Léger and the Nouveau Réalisme. A fervent admirer of his work, Pierre Restany is said to have named the group in homage to Léger, who used the term as early as the 1920s to define his artistic approach. What Fernand Léger and the artists of this generation have in common is that they renewed artistic creation by reappropriating the real world, often taking a critical and political look at the society of their time.
Continuing the tradition of exhibitions organized by the Musée national Fernand Léger highlighting the artist's collaborations and posterity, the exhibition Léger et les Nouveaux Réalismes highlights Léger's visionary modernity, while also recalling the possible sources of inspiration for these revolutionary artists of the 1960s. Featuring around 110 works, including a selection of 60 from the MAMAC, the exhibition takes a playful, creative approach to various themes: the misappropriation of the object, the representation of the body and leisure, and the place of art in the public space. Through powerful artistic gestures, the artists elevate elements - materials, symbols, tools - captured in their most mundane reality to the status of works of art. They merge art and life, revealing to the viewer the poetic beauty of our everyday lives.
From June to autumn 2024, the Fernand Léger national museum in Biot and the Musée d'Art Moderne et d'Art Contemporain (MAMAC) in Nice will be celebrating artistic creativity with an exhibition bringing together the joyful, colorful work of painter Fernand Léger (1881-1955) and must-see works from the MAMAC.
Thanks to an unprecedented partnership between two major collections on the Côte d'Azur, works by Niki de Saint-Phalle, Arman, Yves Klein, Raymond Hains, Martial Raysse and César come face to face, in a spirit of total freedom and dialogue between the arts, with the plastic innovations of Fernand Léger, one of the pioneers of the 20th century avant-garde. Alongside the main representatives of Nouveau Réalisme, a group founded in Paris in 1960 around the art critic Pierre Restany, works by the generation of artists who emerged across the Atlantic in the 1960s, such as Roy Lichtenstein and later Keith Haring, illustrate the artistic exchanges that took place early on between the European and American scenes.
Beyond certain thematic or formal affinities, there is a historical link between the work of Fernand Léger and the Nouveau Réalisme. A fervent admirer of his work, Pierre Restany is said to have named the group in homage to Léger, who used the term as early as the 1920s to define his artistic approach. What Fernand Léger and the artists of this generation have in common is that they renewed artistic creation by reappropriating the real world, often taking a critical and political look at the society of their time.
Continuing the tradition of exhibitions organized by the Musée national Fernand Léger highlighting the artist's collaborations and posterity, the exhibition Léger et les Nouveaux Réalismes highlights Léger's visionary modernity, while also recalling the possible sources of inspiration for these revolutionary artists of the 1960s. Featuring around 110 works, including a selection of 60 from the MAMAC, the exhibition takes a playful, creative approach to various themes: the misappropriation of the object, the representation of the body and leisure, and the place of art in the public space. Through powerful artistic gestures, the artists elevate elements - materials, symbols, tools - captured in their most mundane reality to the status of works of art. They merge art and life, revealing to the viewer the poetic beauty of our everyday lives.
